A brass aftabeh with red, blue, black, green, and white floral designs. There is a long, curved spout with leaves etched into it attached to a round body etched with various kinds of flowers and leaves painted red, blue, black, and green. In addition to the floral etchings, there are some white ladder-like patterns that go around the teapot horizontally and break up the floral designs. The neck is very tall and narrow and has a small ridge that encircles it before the opening. The egg-shaped lid, which has an irregularly shaped knob on top, is attached to the curved handle that extends from the top of the teapot down to the body in a similar fashion to the spout. The base is quite plain, with small twigs alternating in red and green going around the circumference.
This particular vessel is traditionally referred to as an aftabeh, which is a container typically used for purposes of cleansing, hand-washing, and ablution (the act of washing yourself for religious purposes). While these vessels have their roots in ancient Persia, they are very widespread throughout different countries including India, Iran, Afghanistan, and certain areas in Central Asia. In general, these pitchers are typically made out of clay, copper, brass, or plastic and are still sometimes offered to guests alongside a basin and towel before and after meals. However, the use of the aftabeh has expanded beyond just its functional purpose and is now also used as a decorative object. Many aftabehs, especially those made out of metals like copper and brass, are sought-after collectibles and valued for their ornate designs and cultural significance.
Based on the shape and design, it is likely that this aftabeh was meant for more decorative purposes and was made sometime between the 1950s and the 1970s.
“78.1.180” written in black pen on the base.